Basic HTML Version
บั
ณฑิ
ตวิ
ทยาลั
ย มหาวิ
ทยาลั
ยมหิ
ดล ศศ.ม. (ดนตรี
) /
259
2. Research Objectives
2.1 to study contexts of
so
ensemble in Chaing Rai society.
2.2 to study melodic characteristics of so of Seetuan Sornnoi’s style, Chiang
Rai province.
3. Scopes of Work
This research scopes at
so
ensemble and vocal form of
so
melodies : tang
chaing mai, chapoo, and lamai, and also analyses relation between vocal melody with
its instrumental melody which is an innovation of Mr. Sornnoi’s style in Chiang Rai
province.
4. Procedures
The procedure of study is provided in four steps; data gathering, data
arranging, data analyzing, and research-report presentation.
4.1 Data Gathering
4.1.1 Documents
Study concerning documents from a library of universities such as
Mahidol University,Chiang Mai University, Rachabhat Chiang Rai University, etc.
4.1.2 Internet Online data
4.1.3 Person interview data
4.1.4 Field work
4.2 Data Arranging
4.2.1 Context data of
so
4.2.2 Data classification
4.3 Data Analyzing
4.3.1 Contexts of
so
in Chiang Rai area
4.3.1.1
So
performing
1) So tradition in Chiang Rai province
2) Elements of
so
3) How to classify a type of
so
4) Lyric of
so
5) Cultural activities concerning about creating an innovation
4.3.1.2 Key Informances
4.3.2 This research studied melody of
chang so
, Seetuan Sornnoi’s
style into two parts.
1) A holistic study of
so
and
lanna
music accompanied in original style is
analyzed.
2) Innovative
so
of Seetuan Sornnoi’s style is analyzed, then the result of both
so are comparatively analyzed.