สังคมไทยกับกระบวนการเซนเซอร์งานศิลปะ/วัฒนธรรมจากอดีตจวบปัจจุบัน - page 84

m
'5iJ
?iJtilat)Uf)m
:;n7
'53jm7ijn
-3fi
^^'nTnnv)i^n"nTO
"•^nui,i,a
'<^-3^siJTi?'5
§Juvi^Tni" §jn
am
-a
^iama
-amQunuuiiiiiflaari
'liI
nmlmn^SmtiJtsinQ-atia-afimsfi^an^niiEjtufi ^
I^!jm
"5l
.jJs
-3W9-3
'ii^m
'5i3JiJ'5s
;m^
mTisnT5§jm7mnarii^"'3t^3JViantjfiu
"nfinilfiJLiJSL
)uaan1
,ii
11
imr a i
)n
-3fiul3Jtflii
,'noa3J7i)ija
-3n
§isjw
'iJ
?s
'tT3
-3
iTm-awslwnftiin-amawam'i'^^Si^lum?^ ^
27
(iN.f(.252 4 / fi.p(.l98l ) iinngSwg)>3'TuluttiJuadn-3i,iu']m-3°!ja- a "^ai isma^i?!" a'S'na'Ukd^avn
Lta-a
-nQmsj
-jnua
^-sfisj-m
^Lfia- a •ns^^m-JiJJiliisnQ'f) l.mij'sn-aQ's^miJvisnLif' u ussmiiTn-aTstan
u,?)fn'imils£j*uuils-3
^^n5i
'Ti
n
^nL'Uua£ilmi^£j
-3
°f3i.isnm4
,«]T
.3Jnfl
Lm
^nnam-snnaii
^'uia
'rin'wtlsj
(?iaa'?insnYim'u§jnw i an?Sm?iJiis;#2-3?iamuLn<?ii)urTi)n'^iJ'ssnii?i-3nu^f^iJnti
^
im
3
iiitomn
10
mmiiiJiijiM H
iHl l
iH H I
—11
II I
1
'»imwngi
"nfiwirwm n
f
•mtsumm'JtvIm
mwyiiiiritif.imm>i
giili S if f ""v'l f *
oaajfumns^a y
finsjgnjJTSfitum' s
iliinnginSm?
iJiii'ni-aWiuua-
a
iJist'?i'ui>'uavnayn- 3
kCfwisaEin
-aQ-a..
viwla^wwlvififj siiTiJWvi 26mitnau2550
•n-aia^mij'ssmjmi ^ L1flSa^tl'Butvl<^n^'Jm•^m
$1m^>m J
"^imsfmmilmrijum'si^ nr^n
53
"lu 3
w.f(.255 0 (fi.f(.2007 ) l^finssj'ntl&jn
'Jima-a'i i "jr
*yW9ir
^-3wwMmi
/T2riWfT
!y
?£/''7QSj
<^iTmil?£^ ^
?iam-3
3jw
%msljfailnn7lun
?m'^<^^tulwi'i'wf«i'5ni
?3jl a
"nnmmini"
'
HB
-^
Qum^^nm
(w.P!2523-iJ^^im/Pi.«.l980-ilf^mi
)1
='mjri^fg)m o
1 tvilofiJYia-3 ^-anau w
84
1...,74,75,76,77,78,79,80,81,82,83 85,86,87,88,89,90,91,92,93,94,...232
Powered by FlippingBook